| Another Page
From Laurel
Jean’s Scrapbook…
Sharing the Old-Time Sounds, Preserving and Promoting Traditional Music |
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Second
only to the front porch, the shade of a favorite tree has always been
an
ideal gathering place for folks who enjoy playing traditional old-time
or bluegrass music. As a piano player in a digital world, I have never
understood why those trees don’t come equipped with electrical
outlets.
Still, I love to arrange these old tunes for the piano. Once in a
while,
when my schedule permits, my friends and colleagues who play this music
are gracious enough to move to a wired front porch, or even a studio
environment
and invite me to join in the fun of jamming. A big thanks to
everyone
on the “Roots Of Country”
WRAY, Princeton, IN, who still keep these old sounds alive,
featuring
Live radio, every Saturday from 9:00 AM to Noon.
My love for traditional music and for jamming was first handed down to me by my maternal grandfather, a square dance fiddler and guitar player. Stories were told of a time when parents sat with their children and passed melodies from generation to generation. Like my grandfather, many of these people did not read music notation, but they knew how to play it. The resulting sound was very unique, and continues to be an inspiration to many of us who read and compose music. |
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Recently,
I recorded my piano arrangement of the traditional “string rag” known
as
the “Cotton Patch Rag”. You can hear it or download it at the links
below.
Use the following link if you
have a dial-up
connection to the Internet.
This arrangement was recorded via MIDI (Musical Instrument Digital
Interface),
with the computer program CakeWalk Sonar
and a companion program CakeTalking
which works with the JAWS (Job
Access With Speech) Screen Reader to make CakeWalk
Sonar accessible to those of us who are blind. After entering the
notes
of my arrangement into the computer, I used Sound Fonts to make the
instruments
more realistic. My piano font of choice is the SB
Stereo Grand Piano font produced by Sonic Implants. The rhythm
guitar
font is a steel string guitar sample that is part of a generic General
MIDI Font set.
Once the instrument fonts were attached to the corresponding notes, I
used CakeWalk Sonar to record these
sounds
as audio “tracks” with a separate track for each instrument. When the
audio
tracks were recorded, I added special effects (customized reverb and a
tape simulator) to cater to my personal sense of nostalgia. The tracks
were
then mixed into one track and the audio files that you hear now.
I arranged “Cotton Patch Rag” for the piano after studying many
different
styles of old-time fiddlers who play the tune. In my piano arrangement,
the left hand represents an acoustic bass and the right hand does its
best
to mimic a fiddle, staying within the musical range of the typical
Texas
“longbow” fiddle player. I added the rhythm guitar as this is commonly
the
accompanying instrument for the traditional old-time fiddle.
Throughout my career as a recording artist, I have added similar
selections
to my repertoire. Many of these can be found on my albums, “Mood
Swings”,
“Peaches & Honey”, and “Music From The Heart”. Check them out and
hear
samples on my “Albums
Etcetera Page”.
Stay tuned for updates to this page and new music. Click here to subscribe to Laurel Jean’s MusicNotes Newsletter. |
![]() 407 D Trailmore Dr., Charleston, SC 29407 843-556-0514 or 618-423-9783 (Central IL) E-mail: info@laureljean.com |
copyright © 2006 - 2010 by Laurel Jean Walden - all rights reserved - last updated 13 March, 2010 |