Another Page From Laurel Jean’s Scrapbook…

Sharing the Old-Time Sounds, Preserving and Promoting Traditional Music

 

 
Laurel The Tree Hugger
    Second only to the front porch, the shade of a favorite tree has always been an ideal gathering place for folks who enjoy playing traditional old-time or bluegrass music. As a piano player in a digital world, I have never understood why those trees don’t come equipped with electrical outlets.  Still, I love to arrange these old tunes for the piano. Once in a while, when my schedule permits, my friends and colleagues who play this music are gracious enough to move to a wired front porch, or even a studio environment and invite me to join in the fun of jamming.  A big thanks to everyone on the “Roots Of Country” WRAY, Princeton, IN, who still keep these old sounds alive, featuring Live radio, every Saturday from 9:00 AM to Noon.

     My love for traditional music and for jamming was first handed down to me by my maternal grandfather, a square dance fiddler and guitar player.  Stories were told of a time when parents sat with their children and passed melodies from generation to generation. Like my grandfather, many of these people did not read music notation, but they knew how to play it. The resulting sound was very unique, and continues to be an inspiration to many of us who read and compose music.


    Recently, I recorded my piano arrangement of the traditional “string rag” known as the “Cotton Patch Rag”. You can hear it or download it at the links below.

Use the following link if you have a dial-up connection to the Internet.
http://www.laureljean.com/cotton_patch_lf.m3u

 
Use this link if you have a high speed connection.
http://www.laureljean.com/Cotton_Patch.m3u
 
     This arrangement was recorded via MIDI (Musical Instrument Digital Interface), with the computer program CakeWalk Sonar and a companion program CakeTalking which works with the JAWS (Job Access With Speech) Screen Reader to make CakeWalk Sonar accessible to those of us who are blind. After entering the notes of my arrangement into the computer, I used Sound Fonts to make the instruments more realistic. My piano font of choice is the SB Stereo Grand Piano font produced by Sonic Implants. The rhythm guitar font is a steel string guitar sample that is part of a generic General MIDI Font set.
 
     Once the instrument fonts were attached to the corresponding notes, I used CakeWalk Sonar to record these sounds as audio “tracks” with a separate track for each instrument. When the audio tracks were recorded, I added special effects (customized reverb and a tape simulator) to cater to my personal sense of nostalgia. The tracks were then mixed into one track and the audio files that you hear now.
 
     I arranged “Cotton Patch Rag” for the piano after studying many different styles of old-time fiddlers who play the tune. In my piano arrangement, the left hand represents an acoustic bass and the right hand does its best to mimic a fiddle, staying within the musical range of the typical Texas “longbow” fiddle player. I added the rhythm guitar as this is commonly the accompanying instrument for the traditional old-time fiddle.

     Throughout my career as a recording artist, I have added similar selections to my repertoire. Many of these can be found on my albums, “Mood Swings”, “Peaches & Honey”, and “Music From The Heart”. Check them out and hear samples on my “Albums Etcetera Page”.

Stay tuned for updates to this page and new music.

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Music By Laurel Jean
407 D Trailmore Dr., Charleston, SC  29407
   843-556-0514 or 618-423-9783 (Central IL)

E-mail: info@laureljean.com
 
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